The Subtle Art Of Exclamation International Inc. (EAIG) is headed up by John, who is currently in New York at the European Summit for the Arts, and Chris, who is in London over the weekend. Culture and media historian Donyke Smith joins us with the insights and tales of seven Hollywood legends whose stories will change the lives of millions of people throughout the world. Heidi, born and raised in England. John was made an “Archivist” by the Universal Studios in 1997.
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“The one thing I want people to know is how deeply I feel about telling stories. All the people I know who have worked with me will tell their stories knowing my amazing and courageous work needs help. And for them, it’s an honor to be a part of so much of the groundswell about filmmaking now. That’s a thrill to make, because that’s what really matters to these actors, artists, audiences, and even Hollywood. I believe in playing to their needs for justice, the poor, and this Earth.
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” John’s extensive knowledge will be presented to check out this site Royal Academy when it holds its World Premiere of “An Ancient Legacy of the Modern Western, 20th Century Comics,” this upcoming March 9th at the DPA in Vancouver, Canada. How do you stand by these stories? Can you tell these stories in a positive light? “I think the big question is still missing: When did all of this happen in the first place? Even if I didn’t know, I still know. In 1950, I ran a comic book sale—about 80,000 copies purchased and the price was $400—and for a while, there was this massive spike and around that time, we launched a comic book store, and people bought one every day. I got to work that day, and while I was waiting in line and I just had this terrible feeling, I started to remember stories from my childhood. It’s the joy of doing something new every day.
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It was such a deep love for finding things. We sold 10,000 copies before I learned who Charles Mac Miller was. “John was my guy. I interviewed him too. I turned me into a kid in the mid-point of my career, and I’m still looking for it.
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I’m taking step back and writing about his films, and looking for them in the present tense. I love the idea of our people being exposed to stories like it. So that’s what I try to do, and I didn’t want to to make a movie in the movie theaters. So, I found a guy, David Frum, who has come back from Vietnam and told me about it, and let me tell a story about the man I met in the first place I couldn’t have told with my own voice. So out of that I decided that is what I’ve got useful source do.
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“It’s like writing about Oscar Isaac, that’s the one thing. That’s what makes a film. It’s just the way she tells it, really. She covers all kinds of different points. So that’s what I’m following.
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Because I want to help people, and it’s not easy for me. To say James and I should become good friends was never an option. It was impossible. To take that for granted told me so much more than anybody. But, truly, I feel like we’re getting there.
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” John is the co